Amy Sherald’s Precious Jewels by the Sea stands more than three metres high. During transport, it has to travel on its side to pass through doors, trucks and loading areas. At moments like these, an apparently simple action — gripping a painting — can become a conservation problem.
AE Hardware, developed by Australian artist and designer Sam Shmith, attempts to move that point of contact elsewhere. A bracket is fixed to the frame or support of the artwork, while removable grips and other components are attached during handling. This gives art handlers external points to hold, without having to grip the edges directly or place their fingers close to the canvas.
The principle is simple, but it addresses one of the most delicate moments in the life of an artwork: when it is lifted, moved, packed or installed.
The technology is not intended to replace the expertise of conservators or art handlers. Instead, it changes where that expertise is applied: not directly on the artwork, but through a system designed to reduce contact.
The potential benefit is clear, but it still needs to be assessed over time. Different works, frames and handling conditions will continue to require professional judgement.
That may be the most interesting aspect of the system: it does not introduce spectacular technology. It intervenes in an everyday, repeated gesture. And in conservation, even a gesture can make a difference.
